Thursday, February 19, 2026

Justice and Dharma in Indian Scriptures: A Timeless Pursuit





 Recently, I created a video titled Draupadi’s Revenge”, exploring the philosophical tension between Dharma and vengeance in the Mahabharata. While narrating Draupadi’s final decision—to forgive Ashwathama even after the brutal killing of her sons—I found myself drawn into a deeper study of how Indian scriptures understand justice.

This article presents a brief reflection drawn from that study.

Across millennia, Indian thought has treated justice not merely as legal punishment, but as alignment with a deeper moral and cosmic order. From the Vedas to the epics and philosophical texts, justice is seen as an expression of Dharma — the sustaining principle of life and society.

1Ṛta (ऋत): Justice as Cosmic Order in the Vedas

Ṛta (ऋत) is a basic Sanskrit term derived from the Vedas. It connotes the fundamental elements sustaining the universe namely, cosmic, natural, and moral. Ṛta governs not only celestial movements and seasons, but also ethical conduct.

In the Rigveda, adherence to truth (Satya) is described as essential to maintaining Ṛta. Justice, therefore, is not merely a human construct—it is participation in cosmic harmony. To violate truth is to disturb the universal order; to uphold it is to strengthen creation itself.

This early Vedic insight reveals that justice in Indian thought begins not in courts or kingship, but in the structure of existence.


2. Dharma in the Mahabharata: Justice and Moral Complexity

The Mahabharata offers perhaps the most profound exploration of Dharma in world literature. It does not present justice as simplistic or mechanical. Instead, it reveals its moral complexity.

In the Bhagavad Gita (4.7–8), Krishna declares:

“Whenever righteousness declines and unrighteousness rises, I manifest Myself…
To protect the virtuous, to destroy evil, and to re-establish Dharma, I appear age after age.”

Justice here is restorative — it seeks balance rather than blind retaliation.

Draupadi’s decision in the aftermath of war reflects this deeper understanding. Standing at the crossroads of grief and power, she chose restraint over revenge. Her choice illustrates that Dharma sometimes demands moral elevation rather than emotional reaction.


3. Dharma and Social Order in the Manusmriti

The Manusmriti, one of the early Dharmashastra texts, articulates justice in the context of governance and social stability.

The well-known maxim states:

Dharmo rakshati rakshitah
Dharma protects those who protect it.

This expresses a reciprocal principle: when justice is upheld, society flourishes; when it is violated, disorder prevails. Justice, therefore, is not merely enforced authority — it is civilizational self-preservation.


4. Karma in the Upanishads: Justice as Moral Causation

The Upanishads internalize justice through the doctrine of Karma — the law of action and consequence.

The Brihadaranyaka Upanishad teaches:

“As one acts, so does one become.”

Here, justice is woven into the very structure of reality. Actions inevitably yield consequences. No external judge is required; the moral law operates inherently within existence.

This understanding makes justice both universal and personal.


5. The Ramayana: Justice Embodied in Character

In the Valmiki Ramayana, Lord Rama is described as:

“Ramo vigrahavaan dharmah”
Rama is Dharma embodied.

Justice here is not abstract philosophy but lived character. Rama’s life demonstrates that righteousness often demands sacrifice, discipline, and steadfast commitment to duty.

Leadership, in this tradition, is measured not by power, but by alignment with Dharma.


Conclusion: Justice Beyond Punishment

Indian scriptures present a layered and nuanced understanding of justice:

  • In the Vedas, justice is cosmic order.
  • In the Mahabharata, it is moral discernment.
  • In the Manusmriti, it is social regulation.
  • In the Upanishads, it is karmic causation.
  • In the Ramayana, it is embodied character.

Justice, in this civilizational framework, is not merely about punishing wrongdoing. It is about restoring balance — within society and within oneself.

Draupadi’s choice reminds us that Dharma sometimes demands restraint rather than retaliation. And perhaps that is the enduring message of Indian wisdom: true strength lies not in vengeance, but in alignment with Dharma.

***

Sunday, February 8, 2026




What Role Can Interpreting India’s Heritage, Scriptures, and Storytelling through Digital Media Play in the Orange Economy?

Part 1

India’s growing interest in the Orange Economy—the economy of creativity, culture, and intellectual property—is often discussed as a modern or emerging phenomenon. Yet, in the Indian context, creativity has never existed in isolation from culture. Storytelling, interpretation, and transmission of knowledge have always been central to how this civilisation functioned.

If India is entering a new creative phase, an important question arises: what role can the interpretation of heritage, scriptures, and traditional narratives—especially through digital media—play in shaping this economy?

At its core, the Orange Economy is not merely about platforms or monetisation. It is about creating meaning. India’s unique advantage lies in continuity—an unbroken tradition of narratives, symbols, and philosophies that were never static. Epics, purāṇic traditions, regional histories, and oral storytelling were not preserved as fixed texts. They evolved through commentary, performance, debate, and retelling. Interpretation, not repetition, was the norm.

Digital media, in this sense, should not be seen only as a disruptive force. It can also be understood as the latest layer in a long tradition of transmission—from oral memory to manuscripts, from print to screen. What has changed is scale. A single video, essay, or visual narrative can now reach audiences across languages and geographies almost instantly. This creates opportunity, but also responsibility.

Language plays a crucial role here. The renewed use of Hindi and regional languages through digital platforms has expanded access to history and scriptures, allowing wider participation in cultural knowledge. Interpreting complex material in accessible language—without diluting its depth—has become a creative act in itself.

Today, individual creators often perform multiple roles simultaneously: researcher, interpreter, and publisher. When working with history, epics, or sacred traditions, interpretation is never neutral. Choices of framing and emphasis shape public understanding. In this sense, India’s Orange Economy will mature not simply through volume of content, but through depth, care, and interpretive honesty.

Across the country, a quiet cultural movement is already visible. Educators, historians, artists, and independent creators are engaging with India’s past through digital formats, often outside institutional frameworks. Together, they form a meaningful—if understated—part of the Orange Economy, rooted in knowledge rather than novelty.

India’s creative future will depend not only on innovation, but on how consciously it interprets its inheritance. Digital media offers powerful tools. The challenge, and the opportunity, lies in using them to deepen understanding rather than flatten it.

Next Blog: Part 2

                                                                                 ***********

Monday, April 18, 2022

The poems that have inspired me in my poetic journey

I have been a writer of prose, having already published two novels, “Wings of Freedom” and “The Full Circle: A Saga of Unrequited Love”. But since my childhood I have also been an admirer of poetry. I still remember nostalgically the great poets, whose poems had impacted my impressionable mind in school and college. So, a renewed fondness for poetry and re-reading of the old poems inspired me to pen down some poems on topics dear to my heart and based on my life’s journey. And soon I had a collection of forty odd poems. I thought of sharing them with the readers and that’s how my first book of poetry “The Morning Glory” was born. I have described these thoughts in the Preface to the book. I bring you a small garland of poems… joining the multi-hued blooms, in my life’s garden nurtured, during my eventful journey of years, to beget your love and cheers. By way of this blog, I would like to allude to some poems that have fascinated me since my childhood with a brief write up on the poets or poetesses. The first poem is Toru Dutt’s “Our Casuarina Tree” that I read in my school. The opening stanza of the poem captures the nostalgia of the poetess for the beauty of the Casuarina Tree near which she used play in her childhood with other children in the family and her friends. It reads as below: "LIKE a huge Python, winding round and round The rugged trunk, indented deep with scars, Up to its very summit near the stars, A creeper climbs, in whose embraces bound No other tree could live. But gallantly The giant wears the scarf, and flowers are hung In crimson clusters all the boughs among, Whereon all day are gathered bird and bee; And oft at nights the garden overflows With one sweet song that seems to have no close, Sung darkling from our tree, while men repose."
The imagery of the Casuarina tree (having its leaves as a horse’s mane and known in India as ‘Jungli Jhao’) by the poetess as a majestic giant, gallantly carrying a python-like creeper and wearing the colourful scarf of crimson flowers is quite enchanting. The charm is further accentuated by the depiction of birds and bees sheltered in the tree and the sweet music that flows in its environs in the night while all are sleeping. Toru Dutt (1856-1877) was a great poetess of India, who with her grooming as a linguist wrote in English and French. Even though she had a short life span, she contributed substantially to literature by her writings in both these languages, some of which were also adaptations from Sanskrit. More in my forthcoming blogs about other poets who inspired me.

Wednesday, August 30, 2017

Book Review of by Ratan Kaul's new novel "The Full Circle"

Excellent Author and Book Review by  pebbleinthestillwaters.com for

Ratan Kaul's new novel" The Full Circle":



"...his latest book, The Full Circle, is out recently and is creating waves all around..."



Ratan Kaul – Arbitrator, Management Consultant, And Author




Saturday, August 9, 2014

Good governance and justice for the common man

The present government’s commitment to ‘maximum governance with minimum government’ is well known. This has also been adequately reflected in the ten-point road map set out immediately after the new government was sworn in. It encompassed matters relating to economy; infrastructure; people oriented systems; education, health and water. Included also were transparency in government, building of confidence in bureaucracy, innovative ideas for governance, resolution of inter-ministerial issues, stability in government policies and time bound implementation of policies.

However, while the confidence building in bureaucracy has made the list, an important point missing is the building of confidence in judiciary, which is also deeply linked to the justice for the common man.

So, there is need for a debate about accelerating the measures for restoring the confidence in the judiciary which, from the advent of civilization has been of utmost importance as a part of good governance.  

To elaborate it further, it would be pertinent to have a look at the meaning of governance.  It simply means “the action or manner of governing a state, organization ...” and that would obviously include conducting of public affairs in a manner that would render good justice to the subjects of a state.

It is notable that Naïf Al-Rodham, in his 2009 book Sustainable History and the Dignity of Man: a Philosophy of History and Civilisation Triumph, had included participation, equity, and inclusiveness as well as the rule of law in the eight minimum criteria for ensuring good national governance.

In this connection, the following quotes from our scriptures, Manu Smriti and Kautilya’s Arthashastra are also relevant:

Manu Smriti:

 Chapter VIII, Para 12: “But where justice, wounded by injustice, approaches and the judges do not extract the dart, there (they also) are wounded (by that dart of injustice).”
Chapter VIII, Para 15: “Justice, being violated, destroys; justice, being preserved, preserves: therefore justice must not be violated, lest violated justice destroy us.”

Kautilya’s Arthashastra

Book III, Chapter I:  Concerning Law: "As the duty of a king (and the administrators of justice) consists in protecting his subjects with justice, its observance leads him to heaven.”.

Unfortunately, however, the present Indian legal system, a legacy of the British, is inadequate and needs a lot of fresh thinking and corrective actions by the government. 

One problem which the government has to address is the acute suffering which the common man seeking justice in India faces due to inordinate delays, high costs and limited reach to the judicial forums. This is aggravated by the fact that there is long pendency of cases in the courts. The figures are stunning.  Pending cases in Supreme Court are around 65,970 (as on 1.7.2014); in High Courts around 4.5 million and in district courts over 26 million in 2013.  This massive grid-locking at the judiciary needs to be undone by immediate filling of vacancies, appointment of new judges and adoption of new technologies.

 Another is the restoration of trust in the judiciary, which has been declining of late.  This can be achieved by ensuring the transparency in the judicial appointments, independence of judiciary, and institutional checks and balances. Whether the collegium system, which works in a the exclusive domain of judiciary in a closed environment,  and where one set of judges take decisions about judicial appointments,  should be replaced by other systems with a broader  decision making platform  is a matter that has to be decided by the government expeditiously.  Same is the case about strengthening judiciary as an independent institution free from bureaucratic interference. Otherwise, the democratic fabric of our democracy would continue to be damaged.

There is  another important perspective to these problems, which the new government cannot overlook. By virtue of its constitution, India is a welfare state and as per the directive principles of state policy laid down in Part IV, the State has to promote the welfare of people by securing and procuring effectively a social order in which justice, social, economic and political, shall inform all the institutions of the national life (italics mine).

It is imperative that  the  government, judiciary and the entire legal fraternity  rise to the aspirations of the common man and generate a judicial environment where mass public would be always comforted by a feeling that there is a fair and unbiased institution to provide speedy justice to him.

The author Ratan  Kaul can be contacted at: email@ratankaul.in

                                                           ***

Saturday, May 12, 2012

INTERNATIONAL ACCLAIM FOR WINGS OF FREEDOM--A HISTORICAL ROMANCE SET IN INDIA

WINGS OF FREEDOM has received excellent reviews from reviewers across the globe-USA,  UK,  AUSTRALIA, SCANDINAVIA and INDIA


Depicting a cross- cultural romance in the backdrop of  intense political and social conflicts in turbulent colonial India with the tapestry of of coronation celebration of King George V in India amidst speculations of sabotage, freedom revolution swirling furiously in the country and the ravages of World war I




Blurbs posted by amazon (http://www.amazon.com/dp/B0063C0VT4):

"The story flows with the ease of cleverly descriptive language. " Juanita Kees  |  6 reviewers made a similar statement
"Mr. Kaul should be commmended for writing a fascinating book about the British Raj in pre-independence India. " Ron  |  3 reviewers made a similar statement
"Any readers of historical romance will really love this novel. " A Book Vacation  |  1 reviewer made a similar statement

Thanks to all for  an overwhelming response to the book.

Saturday, May 5, 2012

PRAISE FOR WINGS OF FREEDOM--A COLONIAL INDIA ROMANCE





I'm glad to share  the latest 5 star review posted today on amazon:

Love Prevails, May 5, 2012

By 

This review is from: Wings Of Freedom (Kindle Edition)
If you like a good love story with a historical setting this is a great book to read. Raj, an Indian college boy and Eileen, the artistic daughter of a British diplomat meet and fall in love during a tenuous political time in India. The stirrings of India's struggle for freedom are taking shape and things are beginning to get dangerous. There's a huge fire in the British camp and an assasination attempt on King George during his coronation ceremony. Raj and Eileen are caught up in the fervor of revolution and must also face the cultural differences between their families. (The British frown upon their daughters marrying Indian men) In spite of the difficulties, Raj and Eileen prevail. What I loved most was the glimpse I got into Indian culture through Raj's family and the overall picture of England's rule and occupation of India at that time. Raj's interactions with his mother and father, uncle, his friends, etc. are well portrayed as is Eileen's side - her privileged life as the daughter of a high ranking British officer. A lot of research went into the details of the history here and the love story that endured in spite of so much against trhem was truly heart-warming. Love really does conquer all, especially in the Wings of Freedom.


http://www.ratankaul.in

Wednesday, April 11, 2012

WINGS OF FREEDOM--A BRITISH RAJ ROMANCE NOVEL

AUTHOR RATAN KAUL'S INTERVIEW

I’m glad to share the great news of my interview of April 4 on http://teazurs.blogspot.in/2012/04/interview-with-ratan-kaul-author-of.html

An excerpt from the interviewer Angie Azur’s comments:

“This story is one that needed to be told. Not only does it peak my interest, but I will learn about a culture that I know little about. And what an easy and unexpected way to learn about another culture, through a love story.
Thank you Ratan for your dedication, and all of your research that went into this book.”

Excerpts from the interview:

Q. How much research did you do for this book? And what was the most interesting thing you came across?

Ah! It took me over two years of research. It was accomplished in two phases: At the concept stage-in government archives, libraries, historical museums and over the internet.


After I'd worked out the plot, characters and locales, I supplemented the research by visiting the heritage sites of British India and the exact places where the characters were imagined to have lived. That's how I was able to add the flavour of the period into my novel.

During the research I found several interesting things. One related to a news report in the December 16, 1911 edition of The New York Times with the headline--LONDON HEARD THAT
GEORGE V. WAS SLAIN. However, it turned out to be a false alarm.

I also came across various technological improvements that took place during the period of novel. You‚ll find the timeline of some such developments viz. Kerosene fed street lamps giving way to electric lamps and horse carriages being replaced by trams in the first decade of twentieth century. In fact the novel is dotted all along with references to such innovations.

Q. Why did this novel have to be written?

I'm glad you asked this question. As you know, most of the novels on British India like A passage to India by E.M. Forster, The Jewel in the Crown by Paul Scott or The Far Pavilions by M.M.Kaye, were written by western authors. Obviously, they represented a certain point of view.


I was longing to write a novel on British raj with an Indian perspective, adding to it the authentic flavour
of emotions, culture, language and traditions as were prevalent a hundred years ago in British India.

Q. Do you see this novel being a tool used in colleges?

A similar question came up in various forums of social networking websites, and there has been a general consensus that historical novels have immense educational value as they not only encourage critical thinking about events of the past in contrast with a plain reading of history, but also enrich the students‚ mind about other social science subjects like anthropology, archaeology, political science and
sociology.

I take the liberty of giving an excerpt from a pre-publishing review on authonomy.com that will support this view:

"Wings of Freedom is a compelling historical account. I like your extensive footnotes which help guide the reader and make this work so educational. I didn‚t know much about the history of India prior to reading this book. You succeed in taking the reader back in time and you describe the setting so vividly that it makes it easy to imagine the events which unfold."


Friday, March 30, 2012

Indie Book Review: Wings of Freedom by Ratan Kaul

Indie Book Review: Wings of Freedom by Ratan Kaul: A cross-cultural romance set during the fury of British imperialism and the social-cultural divide in early twentieth-century turbulent Bri...

Sunday, March 18, 2012

AN ODE TO SPRING

At dawn when I open my doors, windows
I am greeted by my regular companions
Flocks of tiny, playful and lively sparrows
with spirited mynas, bulbuls, and pigeons,

Who come gliding from their night shelters

in the Kachnar, Champa, Harsingar, Neem
And Gulmohar trees, shrubs and creepers
adjoining and touching balcony of my room

They come looking for their daily feeds
with friendly tapping on my window sills
For jowar, bajra, corn and other seeds
even rice, wheat puffs, nuts and biscuits

Squirrels watchfully spy the bird rations
and it is a sight to see how they pick the nut
Clasp and gnaw on it with swift actions
hiding in the small openings in the parapet

Bird experts say sparrows are getting extinct
and no longer dwell in concrete jungles
But I am blessed with the idyllic mornings
with my little friends providing jingles

The sweet sound of sparrows chirping
their calls of mobbing, duets and mating
Make my idyllic and cheerful morning
as my mind is enchanted in their playing

But it is now time to bid adieu to my lovable pals
For getting prepared for my share of earthly tasks
And face the day’s targets, meetings and mobile calls
With the polluted air, din of horns and traffic jams

***

Tuesday, February 14, 2012

Great Reviews of kindle book WINGS OF FREEDOM--HISTORICAL ROMANCE FICTION



I’m thankful for the reviews of my historical romance novel, WINGS OF FREEDOM set in early twentieth –century British India. I feel honored and inspired.
Have a look at a recent review posted on amazon and Goodreads.com



Book Review: WINGS OF FREEDOM
ByA Book Vacation

This review is from: Wings Of Freedom (Kindle Edition)
Any readers of historical romance will really love this novel. Kaul has created a wonderful story dealing with amazing fictional characters during the British occupation of India in during the early 1900s. It's a story of forbidden love, society ideals, betrayal, and danger as Raju and Eileen fall deeply in love and begin a love affair that could easily end in Raju's death and Eileen's banishment. What I thoroughly enjoyed about this novel is that there is so much character building and background information given that it's like the reader is a part of the story. Though the novel is a bit long, it weaves together a very powerful historical romance, following the characters throughout the years as they grow and mature, fighting for what they believe.

Kaul is a fabulous writer, engrossing the reader in his story as the beautiful descriptions, the gripping action, and the sweeping romance all come together to create a wonderful novel that I couldn't put down. I am not usually a reader of historical novels, yet Kaul's historical fiction is fabulous and I would recommend it to anyone.
Any readers of historical romance will really love this novel. Kaul has created a wonderful story dealing with amazing fictional characters during the British occupation of India in during the early 1900s. It's a story of forbidden love, society ideals, betrayal, and danger as Raju and Eileen fall deeply in love and begin a love affair that could easily end in Raju's death and Eileen's banishment. What I thoroughly enjoyed about this novel is that there is so much character building and background information given that it's like the reader is a part of the story. Though the novel is a bit long, it weaves together a very powerful historical romance, following the characters throughout the years as they grow and mature, fighting for what they believe.

Kaul is a fabulous writer, engrossing the reader in his story as the beautiful descriptions, the gripping action, and the sweeping romance all come together to create a wonderful novel that I couldn't put down. I am not usually a reader of historical novels, yet Kaul's historical fiction is fabulous and I would recommend it to anyone.

Monday, October 10, 2011

I’m excited. I want to announce to the world that my novel “Wings of Freedom” will be published soon, coinciding with the year-long centenary (1911 -2011) celebrations of Delhi as the capital. December 12, 1911 was the day when King George V announced, during his coronation celebrations,  the shifting of capital from Calcutta (now Kolkata) to Delhi.

First, an introduction to my profile picture above. That is  Lahore Gate of the Red Fort, built by Emperor Shah Jahan three hundred and fifty years ago, from where the State Entry procession of King George V and Queen Mary started on December 7, 1911, on their arrival from Bombay (Now Mumbai) for the coronation celebrations.

Now, something to share with the readers about  seeding of the story. There had been a churning of ideas from my younger days when I had my roots in old parts of Delhi, that is Indraprastha--the Delhi of Pandavas;  Shajahanabad, the  Delhi built by Emperor Shahjahan, and the Delhi of legendary poets  Ghalib and Mir Taqi Mir.

An author with a history mind-set  often gets influenced by  visits to the historical  places and  monuments and that may  start the thought process of  writing a story,  adding his or her imagination  to the events that have taken place around those places. But, the ideas may remain dormant in one’s  mind, till a certain material around inspires him.

In my case the serendipitous moment came on  a day when I happened to visit the Coronation Park in Delhi, commemorating the coronation of King George V.   Looking around the tapering tower and  statue of the king,  it struck me that I have to tell a story.  Seeds of the plot flowered and the saga of  the romance of  Eileen, a teenage British girl with Raju, an Indian, in the backdrop of British imperialism and  Indian freedom movement emerged.

That is what gave birth to “Wings of Freedom”... of course, after an extensive digging into the  documents of  British India in the government archives--many a time worm-eaten or torn, followed by numerous hiccups,  recurring writer’s blocks and procrastination blues.

                                                                      ……………